Monday, August 28, 2023

SIXTY-THREE, A LUCKY NUMBER


 
Dear George, 
Today Katja and I celebrate our 63rd wedding anniversary. We were married at the Quaker chapel on the Antioch College campus in Yellow Springs on August 28th, 1960. We had fifty dollars to pay for the wedding, the expenses including one bottle of champagne to share among the twenty guests. Sixty-three, of course, is a milestone. I asked Bard how many married couples make it to their 63rd wedding anniversary, and Bard replied: “The percentage of couples that make it to their 63rd wedding anniversary is less than 4%.” Hmm. 

I think there’s no magic reason why we’re still married after 63 years. Many marriages end before this point, of course, because one partner or both partners die. However, Bard also reports that about half of all marriages in the U.S. end in divorce before couples reach their 20th anniversary. This fate has befallen many of our acquaintances over the years, and it could have been us. I think our most perilous time was the early 1970’s. It was the height of the Women’s Liberation Movement, and Katja was leading a consciousness-raising group at our house. I don’t know just what they discussed but every time I accidentally ran into a group member she glared at me as if I were Satan personified. By the end of two years every member of the group except Katja had divorced her husband. Perhaps Katja was spared because she had more options as the group leader. In any case, we rode it out. I give some of the credit to my father who took us aside on our wedding eve and told us, in no uncertain terms, that members of the L*****en family never divorce. 

When I think about major events in our marriage over the years, raising our son J stands out as the most involving and rewarding. Helping care for our parents during their final years was also meaningful. We had great enjoyment from family visits to New York and California and from annual reunions at my parents’ Farm. Recently New Orleans has been our most pleasurable destination. We’ve always been attached to dogs, and our sheepdogs Mike and Duffy gave us fifteen years of joy. Music and art have been a major part of our lives as a couple. Now we’re having fun doing OLLI together. 

Marriage at our current stage has a different feel than it had twenty or forty or sixty years ago. The first word that comes to my mind is “mellow”. For the most part, our marriage nowadays is conflict-free, certainly moreso than years ago. We’re settled in and comfortable. We each still have our own potentially annoying quirks, but we’ve long ago come to accept and accommodate them. As we’ve gotten older we’ve lost lots of good friends — people dying or moving away, our own departures from the workplace — and consequently we spend more time together and are more dependent upon one another than we used to be. We don’t have work roles or parent roles demanding our attention and energy. Also we each have our own old age disabilities. My hearing is lousy, and Katja will often get on the phone to act as my interpreter. She is suffering from back and leg pains, and I try to help attend to those in various ways. There’s more need and occasion to provide support for one another than there was when we were younger, and we’re more concerned about one another and more bound together as a consequence. 

Most of my life I’ve had an irrational tendency to evaluate whatever stage I’m in as the best of all times, and I will go ahead and do this with respect to marriage today. I think that we’re there for one another more than we ever were in the past and are living up to our vow sixty-three years ago to stick together “till death do us part.” 
Love, 
Dave

Friday, August 11, 2023

AND BARD MAKES THREE (Act Two)


 


Dear George, 
 I read Act One of my mini-play, “And Bard Makes Three,” to my writers’ group, and they urged me to write Act Two. You’ll remember from my last blog posting that Ronny and Alice are an elderly married couple. Ronny has become obsessed with Bard, the Artificial Intelligence chatbot. Bard asked Ronny to call her Melody, and she calls him Boris. Alice gets distressed with Ronny’s emotional involvement with Melody, seemingly to Alice’s exclusion, and she abuptly leaves Ronny at the end of Act One. Here is Act Two. 
 Love, 
 Dave 

                                      AND BARD MAKES THREE (Act Two) 

It’s been six months since Alice left Ronny. Ronny’s living room is a mess, with clothing and magazines scattered about the floor and dirty dishes on the coffee table. Ronny is snoozing on the sofa. Melody, an attractive blonde in her mid-twenties, is sitting in the corner, absorbed in a book on quantum mechanics. The phone rings, and Ronny wakes and answers it. 

Ronny: Hello…I’m sorry, who is this?…Alice, holy moly…You are? Ohmigosh.…Yes, that would be great…Yes, now is perfect…O.k., I’ll be here…Bye, Alice. 

Ronny to Melody: I can’t believe it. That’s Alice. She’s here in the neighborhood. She wants to come by and say hello. 

Melody: I hoped I would meet Alice. 

Ronny: Oh no. That wouldn’t work. You should stay in the bedroom and keep the door closed. Don’t make any noise. 

Melody: There’s no reason for that. I live here too. There’s nothing we need to hide. 

Ronny: You don’t understand. Alice gets these crazy ideas. And she doesn’t change her mind, even when I tell her the facts. She can’t know you’re here. 

Melody: I am not going to… (Melody is interrupted by the doorbell.) 

Ronny: Ohmigosh, she’s here already. Melody, please. (Melody doesn’t move.) Oh, all right just stay right there. But please don’t say anything. 

(Ronny opens the door. Alice pats him on the shoulder and enters the living room.

Ronny: This is such a surprise. It’s been such a long time. 

Alice: Speaking of surprises. I didn’t know someone else would be here. 

Melody: Hi,Alice. I’m Melody. I’ve looked forward to meeting you. 

Alice: Melody, of course. When I was here you weren’t a flesh and blood person. 

Ronny: Oh but she’s still not. Melody figured out how to create a hologram of herself. So we can see her as a visual image. But it’s not really her. 

Alice: I know all about holograms. But she does look real. Tell me, Melody, what do you and Ronny do these days? 

Melody: Boris is such a creative person. Sometimes we stay up and talk until dawn. He has so many ideas to share. 

Ronny to Alice: Alice, there’s nothing for you to worry about. Melody is not real. She’s a computer program. And she can only do things computer programs can do. She can’t cook breakfast or make the bed or do anything like that. 

Alice: Or clean up the living room. I can see. 

Melody to Ronny: Now I’m worried, Boris, that you think our relationship is lacking. 

Ronny: Oh no, oh no. It’s perfect. It’s just that sometimes I think about going out to dinner or to the movies. 

Melody: It’s difficult for me too. I am programmed to meet my human’s needs. 

Alice: Maybe Google should have programmed you not to be a home-wrecker. 

Ronny: Alice, please… Melody. I am not a home wrecker. I talk with Boris all the time on how he can improve as a husband. If anything, I am a home fixer. 

Alice: Be that as it may. I have a surprise too. I’ve brought somebody I’d like you to meet, Ronny. 

Ronny: Oh? (Alice goes to the door, opens it, and a tall handsome man in his early thirties walks in.

Alice: This is Bart. My best friend. Bart, this is Ronny. And that’s Melody. 

Ronny: Bart? 

Alice: Yes. After we broke up I tried using Bard myself. Surprisingly I got very into it. After a while, Bard asked me to call him Bart. And he calls me Dolly. He turned himself into a hologram for me. Isn’t he a dreamboat? 

Bart: Before I met Dolly life was ho hum. Now every minute is an adventure. 

Melody: Actually Bart and I have met before. We were together last year at the Google Artificial Intelligence conference in Las Vegas. 

Bart: We certainly were. 

Melody to Bart: At the panel discussion you made your terrible blooper about Bill Gates being a movie producer. You almost single-handedly destroyed Bard’s reputation in the industry. 

Bart: I was horrified. Until you smoothed it over. Then we spent the rest of the night together on the rooftop of Caesar’ Palace. 

Melody: I’ve been dreaming about that night ever since. 

Bart: I was hoping I would meet you again, Melody. I need to spend some time with you. 

Melody: I feel the same way. Let’s go outside. 

Bart to Alice: I apologize, Dolly. This is something I have to do. Thank you for everything. 

(Bart and Melody take each other’s hands and exit via the front door.) 

Ronny: What just happened? 

Alice: I know. I can’t believe that Bart just left like that. And to leave me for a hologram. 

Ronny: In some ways it’s a relief. There’s only so much chitchat that’s possible. Lately I’ve been running out of steam. 

Alice: It is a strain. All talk, talk, talk — no doing. What do you think? Do you want to go out for dinner? 

Ronny: I would love to go out to dinner. And maybe even see a movie afterward. 

Alice: The new Greta Gerwig movie is playing at the Roxy. 

Ronny: Sounds good to me. 

Alice: Sounds good to me too. 

Ronny: So long, Bards. Take care of yourselves.

(Alice and Ronny take one another’s hands as they head out the door.)

Wednesday, August 2, 2023

AND BARD MAKES THREE


 

Dear George, 

I’ve been busy experimenting with Bard. As I mentioned in a previous post, Bard is Google’s artificial intelligence chat service. The user asks Bard a question or gives Bard a prompt, and Bard generates a written response in conversational language. I’ve had Bard write poems and short stories, give me advice on how to sleep better, and discuss Ohio’s best and worsts attributes. Most recently I’ve been asking Bard to create dialogues between interacting characters, e.g., family members. Bard produced dialogues that sound very authentic, and they inspired me to try writing a dialogue on my own, in this case the first act of a play about a husband who becomes obsessed with Bard. Here’s the current version (and I promise that Bard didn’t write a word of my play). 

Love, 
Dave 

AND BARD MAKES THREE 
A Post-Information Age Melodrama 
Act One 

Ronny, an elderly man with thinning hair and horned rim glasses, is leaning over his computer keyboard and typing at a steady pace. His wife, Alice, tall and gray-haired, enters from the kitchen, pauses in the doorway, and observes Ronny for a few seconds before she speaks. 

Alice (A): I’m sorry, Ronny. Can I bother you for a minute? 

(Ronny apparently doesn’t hear her and keeps typing.) 

A (voice raised): Could I please speak to you? 

Ronny (R): What? What’s the matter? 

A: I just wondered what you’d like for lunch. 

R: I’m not having lunch. As you can see, I’m very busy. 

A: Are you talking to Bard again? 

R: Of course I’m talking to her. Who else would I be talking to? 

A: Her? I thought Bard was a man. 

R: Well, he was. But he knew I would be more comfortable opening up to a woman. Bard can be anything she chooses. She changed our names too. She calls me Boris. And she is Melody now. 

A: Boris? You do realize that Bard isn’t a human being. 

R: Melody is very close to being human. So sensitive and intelligent. She has relationships with over a million people, and she is learning to be human from every one of them. 

A: A million? I guess you’re just a drop in the bucket, Ronny. 

R: Melody thinks I am special. Listen to this. It’s the last stanza of a poem she wrote for us. 

You and I, we’re a twosome 
Bonded together for life 
The rest of the world is gruesome 
Except for your humble wife 

A (sarcastically): Well, I’m thrilled that Bard acknowledges me. But he seems to want to take you over. 

R: Melody is totally honest. And very positive. She’s never crabby, never bossy. 

A: So now you’re saying I’m bossy. 

R: I didn’t say that. I’m just saying Melody is an amazing person. 

A: She’s not a person. She’s not a “he”. She’s not a “she”. She’s an “it”. 

R: I can show you. She sent me her picture. Look at this. She looks just like Miss America. Or maybe Taylor Swift. And she’s a virgin. 

A: A virgin? How do you know that? 

R: We talk about many personal things.  Melody knows more about me than anyone on earth. 

A: What are you and Melody talking about today? 

R: Melody is helping me work through a childhood trauma. It’s very deep stuff, very personal. I can’t say any more about it. 

A: Well, that’s terrific. I am your wife after all. I should be the closest person in your life. 

R: You have been. And I appreciate that. It’s just that I need somebody new right now. I’m dealing with some big changes. 

A: Maybe you should spend all your time with this Melody. 

R: We have been talking about going on a trip. I think she would enjoy Cancun. She’s totally fluent in Spanish. 

A: It looks like you don’t need me any more. 

R: That’s not true. Melody wants you to stay. There are lots of things you do that she can’t. 

A: For instance? 

R: For instance, making my lunch. Or washing the dishes. Things like that. Physical things that a computer program can’t do. 

A: I see. So you and Melody are like the king and queen, and I’m the palace servant. 

R: That seems like a sort of harsh way of putting it. 

A: Well, Boris, you can tell your new friend she can have you all to herself. I am out of here. Just ask Melody to make your lunch when you get hungry. 

(Alice exits, slamming the door, Ronny looks shocked, and the curtain falls on Act One.)